Romy Schneider (tidbits)

While researching about Stéphane Audran, I came across a bit on Romy that was said by Claude Chabrol (which was posted here, previously: http://redshoesonathuuursday.blogspot.com/2007/08/mortelle-randonne-or-when-ugly-is.html):

"There have been some people I’ve found tricky. Dear Romy [Schneider], for example. She cheated me. She said, ‘I warn you, I don’t have an ounce of humor.’ Amazing! A girl who can say such a thing. The trouble was, it was true. It went well. But she spent as much time acting in between takes as in front of the camera. We had a fight at the dub."

I thought of my friend from Europe who has such a wealth of knowledge on Romy (and is also a DJ) and I shared the quote with him. He wrote back that he had never heard that before and started to exchange more tidbits on Romy with me:

*In "César et Rosalie," she didn't want other actresses to get too many scenes. I thought that he meant she was talking about Isabelle Huppert in the movie, but no, she meant Gisela Hahn (yikes!). After a previous version she had them cut out all the scenes. (Eeks!)

*César was getting too much so she changed some parts of the script. (Whoops!)

*Claude Sautet said that it was, "because she is an absolute person." He couldn't say, "No," to her. He loved her. (Who could blame him? Really?)

*She was a diva sometimes; she knew what she wanted; she changed the script if she didn't like it; she was the star

*She had rights in her contract to control the final cut in her films

*In "Max et les ferrailleurs," she wanted to play the small role of the prostitute. She changed that character into a main role. (I have YET to see this movie!!!)

Wow. For some reason, this doesn't rub me the wrong way as today's "actors" bother me. She was the real deal and there are so few that are the true blue thing in our world-society of celebrity. I have YET to see a film of hers in which she disappoints me. She is always exquisite and delicious. She never fails to amaze me.

You must remember, I feel this way because I am UTTERLY bias when it comes to Romy. I'm not necessarily okay with her behavior, nor do I condone it yet in my moonstruck eyes, she can do no wrong. Even though, she was no saint (but, honestly...who is?=P)!!! Ha! I do take her flaws, her weaknesses, &c. There is NO denying that she is Greatness. Try to say otherwise to my face. I dare you. Go on. I DOUBLE dare you. And let's see if your mother will recognize you.

I Love her. I can only imagine if she were alive today what abundance she would produce. It's sad to think that we'll never know.


Currently listening to: The English Patient (Original Soundtrack Recording)

"Mortelle Randonnée" (or, When Ugly is Beautiful)

There is a little bit (or, for others,--don't want to exclude--a lotta bit) of ugly in all of us. This is not the "philosophical"-ugly dealing with a person's true identity. No. I'm talkin' about the face. Or your visAHge. I am laughing to myself because I keep thinking about why I started this post (or, I'm just plain crazy).

Now, let me start off by saying that I don't think when an actress turns "ugly" for a role that she is the bravest minx out there. No. Please. Get back to me when you find an actress that can do what Romy Schneider did in her career. That's bravery. That's courage. That's an actress. Having said that, I do admire actresses who go to ugly-UGLY. And it truly is mortifying and provides a jolt of shock when one of your favorites (who is ABSOLUTELY gorgeous and you feel NOTHING could make her ugly) is so vile on your screen that you can't help but let out gales of grossed-out, confused, horrified laughter. Case in point, Stéphane Audran in Claude Miller's Mortelle Randonnée (1983).

I apologize for not being able to provide a photo of her for you to see exactly what I am talking about. I couldn't find one. I know, I know, I know. *BOO*

Onward. Stéphane plays, La dame en gris (The lady in grey). She is not the main character. The story is of a young, pretty thing (Isabelle Adjani) that kills her many suitors that possess lots of money. She disguises herself and changes her name with each new suitor. One of her suitors ends up being a woman, and, I should add that along the way, she picks up a hitch-hiker that tries to swindle her but the plan backfires and they end up working together. They rob a bank but it turns awry and the hitch-hiker gets killed. She's not very wise with money, though. By the end of the film, she has no more cash because she has wasted it all away. Stupid, I know. There IS a man that I believe she was truly in love with (played by Sami Frey) but he gets "accidentally" killed by a detective (Michel Serrault) that was hired by the first suitor's parents. They wanted the detective to gather the girl's background. The detective has a story of his own. He has never met his one and only daughter. He doesn't know what she looks like. Through the course of the movie, he transfers his feelings for his real daughter onto Adjani's character. So, instead of turning her into the po-po's, he tries to protect her. Mm.

WELL...Stéphane enters the film right after Frey's character is killed. Her appearance! She was UUG-LEE. LOL! Very. Really. For true. C'est la vérité. I was stunned. I had read that her appearance in the movie was rather startingly ugly but I couldn't imagine it. And then, I saw her and I am still laughing! She really did look like she was somebody else. Well, maybe not somebody else, but close to it. Or maybe, I should say, she looked like a relative that would be locked in the basement if the family were obscenely cruel. (Isn't that a movie somewhere???) She looked like all the color from her face had drained away. Her eyes seemed very beady, with a bit of red and an outer circle of yellow. And I'm pretty sure that the top part of her teeth were not hers, they were disgustingly yellow and looked like they were decaying (a dentist's dream!). She was SO very funny in the movie. Funny and tragic. Maybe "tragic" is too strong of a word. I'll go with, ill-fated. Unfortuante. Wretched. Dreadful. Atrocious. Eh...

There are two scenes in which I defy you not to laugh. The first is when she comes back to the detective in a café after being locked out of her room by her co-hort. You feel so bad for her but you want to laugh (I'm still laughing). And you will. It may seem cruel to but you will. The lines Serrault throws at her are plain mean and cutting. At one point he says, "You might be less hideous with bangs," and he motions to right at his eyebrows indicating that's where her bangs should be. But, a split second after that action he lowers his hand to his mouth!!! LOL! Mean. The second scene is in the car and the both of them are outside the hotel where her co-hort is staying. The detective tells her a bunch of lies about what ensued between him and the co-hort and she goes off! Again, very funny. Serrault and Audran really played well off of each other. Their timing was impeccable.

Stéphane is so intelligent. She knows how to inject humor. It's very subtle and it can be very broad. That's part of what makes her so golden. Humor. Irony. Dry.

This brings to mind an interview that I read with Claude Chabrol. He spoke about Romy Schneider and humor: "There have been some people I’ve found tricky. Dear Romy [Schneider], for example. She cheated me. She said, ‘I warn you, I don’t have an ounce of humor.’ Amazing! A girl who can say such a thing. The trouble was, it was true. It went well. But she spent as much time acting in between takes as in front of the camera. We had a fight at the dub."

I don't think she lacked humor, though. I thought she was funny. It was very dark. She had a great sense of irony. Sardonic irony, dry wit, what you will. She wasn't a laugh-out-loud funny. She was an u*h!-what?!-yikes-WHOOPS funny.

Currently watching: Le Trio Infernale

"L'important C'est D'aimer"

The film that opened up my eyes to Romy Schneider's unbelievable beauty and talent. It is not my first Romy film ("The Trial" was BUT I didn't know who she was at the time and my focus was on Jeanne Moreau. I do remember how taken I was with Romy's charm and smile. She had this child-like quality. ... You can read all about that in one of my earlier blogs).

It's a tough film to watch. It's raw and vulnerable. Just like Romy.

The third clip is my favorite scene in the film. The second clip comes in at a close second.

Currently watching: Top Hat

Musical Stylings with Romy Schneider and Michel Piccoli

Currently watching: Cloak and Dagger

"Mädchen in Uniform" (1958)

If you have time...watch the following 10 clips. It was a remake done from the 1931 version of the film. Lilli Palmer and Romy Schneider star. Romy's character loses her parents in an accident and is sent to a boarding school in Prussia. She falls in love with her teacher played by Lilli. In an older blog on Romy Schneider, I talk about this film. I haven't seen some of these newer clips, though. So, I'm excited that I get to watch what I missed from the older clips!!!

Currently listening to: Metamorphoses

Romy & the Classics

ROMY AS ANNABELLA IN 'TIS PITY SHE'S A WHORE (1961)

Alain Delon played Giovanni

I mean...as if she couldn't be any greater! I knew that she played in 'TIS PITY SHE'S A WHORE and from the on-going research I have been doing on her, I recently found out that she toured Europe in ... wait for it ... THE SEA GULL. Oh, my stars! For real! For. Real. THE SEA GULL. And she performed it in French! How amazing is she! I love this woman. They also performed it in Morocco.

I read that 'TIS PITY SHE'S A WHORE was a flop. But, so what? Please. I suppose the audience couldn't get passed the story of Giovanni being in love with his sister Annabella and vice versa. Hello...of course! Whoops! Ew! I think that's the story. I never read the play. I only know of it because a girl in my Voice & Movement class, Veronica Moody, performed a piece from it. I've always been intrigued by the story. I think it's time to take a trip to Sam French. I'm thinking on Thursday.

So, maybe the production just really wasn't good. Or the story just wasn't being swallowed the right way. Yikes! And the only good thing about it was Romy and Alain. Or maybe even just Romy. I've never seen Alain Delon's work. I can't imagine Romy being less than magnificent.

So.........................I just read a brief summary on the play. You first find out that Giovanni is in love with his sister. He has come home from a long time of studying in Bologna. He confides in the Friar his love for Annabella. Annabella comes out onto the balcony. Her father is trying to marry her off to one of many suitors. She is not interested in any of them. On the balcony, she sees a man to whom she is strongly attracted. She does not recognize that it is her brother, Giovanni. Perhaps because he has been away so long at his studies. Mm... Giovanni tells his sister of his passion for her, his INCESTUOUS (I had to write it! I had to! It's such a juicy, delicious word!) feelings for her and she confesses to him that she reciprocates those INCESTUOUS feelings. EW! I love it!!! Seriously. Oh, my goodness! The drama of it! I SO HAVE to be in this play someday. I want to be Annabella! I know. Gross. But, it's make-believe! HELLO!

Let's give a shout-out to Luchino Visconti for coaxing Romy to the Paris stage (even though the play flopped). He also cast her in his section of, "Boccaccio '70," and she appeared semi-nude. This movie launced her into international success. I wonder how much she was paid for that role. Hm... =D So, "Here-here," to Signor Visconti. Woot-woot!

Sadly, America did not know how to use her (reminds me of Isabelle Huppert).

ROMY AS NINA IN THE SEAGULL (1962)

So serious. That's right. When an actress puts on her stage make-up...it's serious business! Watch out!

So familiar to me.

"For some time now you've been growing irritable. You don't make much sense when you talk--it's as if you speak in symbols. And I suppose this sea gull here is obviously a symbol, too, but--forgive me--I don't understand it...I'm much too simple to understand you."

Romy as Nina! Wow. I mean, really. That role is one of the ultimate female roles. Could she be any cooler? I just love that it seemed important for her to do stagework. To do the classics. To grow as an actor, as a person. And even if it wasn't her first initial decision and she was forced into it (I'm not saying that she was, that's just another scenario), she still went ahead and did it. She played the role triumphantly. Yeah, I want to be Nina in THE SEA GULL, as well. Who doesn't?

From an article by C Robert Jennings:

"For two difficult years she refused to work. 'It was horrible for me. But I knew I must have the courage to wait, to think, to take time out for renewal, to get myself together...It's like reloading.'" And lo and behold, she had her encounter with Luchino Visconti who was a friend of Alain's.

"Parties, parties--everybody is bored and noisy, and they think it so necessary, so amusing. I'm afraid of too much public. In Europe I go out only when I like to go out. You can't say to me, 'Go because stars do it.' I have a bad reputation because I don't do little things which are supposed to make me a star."

"A tough no-nonsense performer, Romy approaches her work with the intensity of a general going into battle. She knows her lines. She knows her cameras. 'She is almost frighteningly professional,' says director Carl Foreman,..."

"The Method, agh, what the hell is the Method? I don't know what it is. Acting is acting. You know what to do. You only learn in the hardest schools--like Broadway or the Paris stage, or with tough directors like Otto Preminger and Orson Welles. To have personality, force, you can't get it from schools or buy it in books. My mother always quoted a director who said, 'Damn it, don't think, act!'"

"She can be as pure as she wants to be, but she also can be as bitchy as she chooses to be." ~Georges Clouzot

"At first Carl Foreman found her cool and withdrawn. 'But like a flower that reacts to sunshine, she reacts in the same way if she feels genuinely liked or loved. Her whole personality changes, and she becomes very warm and loving in return, much like a little girl, very appealing, sometimes even hoydenish.'"

"I expect everything from myself. Everything."

"After all, I grow up. To change as often as possible the work, the kind of parts on stage and screen. I must be strong. I wanted to be modern, hard and sophisticated--a grown woman."

"I am old-fashioned. I like men who kiss the hand,..."

"Anyway, there are things in life much more important than what people think or write about me. I am what I am. They can go to hell."

"I have something better to do than jump from villa to villa and yacht to yacht. I can stay for hours on my terrace and just look at the people, normal people, and the sea. I very often go to sleep at nine o'clock with my book, my records, my dogs, and I am happy."

"This is the most important thing, to live each moment. And to feel free."

Why do I feel like this woman is my twin??? OB-viously, we're FRATERNAL twins!!!

That is...............................except for this:

I call this the, "I'm disgusted"-face. I am oh-so-familiar, too-too-familiar with the muscles used to make that face! LOL!!! =PPPPPPPPPPPPPPPPP Please, sistah. Please.

If I sound like a gushing schoolgirl....................I am. I can't help it. If you get me started on someone or something that I'm passionate about I could go on forever.

I'm such a dork.

(And proud of it.)

I seriously have too much time on my hands these days...

HAPPY BIRTHDAY TO MY MAMA!!!

Currently listening to: The Scarlet Pimpernel: The New Musical Adventure - Original Broadway Cast Recording

Romy (EFFING) Schneider!!!

"The Trial" (directed by Orson Welles) was the first Romy Schneider film that I watched. Though, at the time, I did not get it for her. I got it for Jeanne Moreau (another favorite of mine!). I remember thinking, "What the heck? I want more of Jeanne Moreau! Who is this other woman that has a bigger role?!!" Yeah, I must admit to that, unwillingly! Ha! Well, it brings me back to when I made fun of Christine Ebersole holding her Tony when she won for 42ND STREET. Yeah, I feel like an ass of the jack! I ADORE The Ebersole! Man! In this film, Romy plays, Leni, a woman that is attending on Orson Welles' character. She has a moustache and webbed feet. Or was it webbed hands? I don't even remember! I don't even remember her having a moustache, quite honestly. I think I'm going to make a trip to the library and check it out again. So, my focus was totally on someone else and not Romy at that time. The thing is, she did make an impact, though I did not pay attention to it at the time. Jackass. I remember thinking that she was very pretty even if she did have the moustache and webbed whatevers (you'd think that I'd remember those physical traits...hm). I remember not wanting Anthony Perkins to have a good time with her because I wanted him to be with Jeanne so that I could see her more! I also remember the joy in her face when she would smile.

Look at that face. Okay...now THIS is the film that turned me into an all-adoring and uber-loving fan of Romy's, "L'Important C'est D'Aimer" ("That Most Important Thing: Love," directed by Andrzej Zulawski). She plays, Nadine Chevalier, who does soft-core porn movies so that she can make a living "acting." This photo is from the beginning of the film. It was most heartbreaking. Actually, the whole thing is pretty heartbreaking. I remember flipping through channels and landing on the IFC. They were presenting Xan Cassavetes' documentary on the Z Channel. And this was one of the films that they showed that would have been or was shown on that particular channel. I forget. The point is that this movie was on!!! Moving right along...I read the description and thought it was interesting. Plus, it was French and I usually can't turn down a French film (*le hint-hint* to the fellas out there!!! That and the museum and some coffeetalk afterwards! HA!). Alright, onward... The opening is of her being directed in reherasals for a scene. I remember the music really getting to my core. It was very deep. Mm. The director (in the film) is this crazed, manic little woman shouting and shrieking. I remember flipping to other channels because I thought it was getting kind of strange (which it was, for me at that time, and certain scenes in the film are rather difficult to swallow, for lack of a better word. I know of 2 scenes in which I fastforward through). But, something kept drawing me back to the film. Well...the picture above is when she is straddling (is that how you spell that word?) a man that is dying or dead and she has to...you know... You then hear the shutter of a camera and it's this photographer that no one knows shooting these pictures of her while she's rehearsing. She hears this and she faces him, puts her hand up and asks him not to take any pictures, and lets him know that she is a good actress. She really is and that she only does this to eat. Yikes! That's how the film starts off! It's intense. It's very passionate and raw, real. Real to the point that it was very uncomfortable. EXTREMELY uncomfortable and painful to watch. Especially in the violent scenes. Geez! Were they really hitting each other? Because it sure did look like they were! *le ouch* You find out that Nadine is married to a man, Jacques, that collects old photographs of old movie stars in America. And she is married to him at first because she does love him but stays with him out of some obligation. I think that she does truly love Jacques. The photographer, Servais, is deeply in love with her and goes out of his way to get her a part in a production of RICHARD III playing Lady Anne. The two of them share these intense passionate moments with each other but they do not consummate their feelings. There's a point where she goes to him. But, Servais will not sleep with her. Jacques goes on and on about this "respite" that is owed him. He even goes to Servais' studio to ask him why he didn't sleep with Nadine. Yeek! They want to but they don't. Jacques makes them kiss in front of him. I mean...this film! *le whew* There is this great-great scene towards the end between Nadine and Jacques in a cafe. Oh, my stars! It's...you just have to see it. The film is pretty whacked out. It's insane. Klaus Kinski is also in this film. I don't think I ever saw him in anything before. He's very good. Yikes! He reminded me of one of my good friends from University, Frank Astran III. I think because of his style of acting. I can see Frank playing the role he played. I could go on and on about this. The music alone breaks my heart. It truly hits to the core. I wish there was a soundtrack. She is absolutely beautiful in this film. I'm SO glad when it came on again. I totally taped it! One of her best performances. One of THE best performances anyone will ever see. For true.

"Le Mouton Enrage" ("Love at the Top," directed by Michel Deville), made me mad because Romy gets killed in it. I have to watch the movie again. Jean-Louis Trintignant woos Romy on a dare by his friend. She's married and the friend wants him to have an affair with her. The friend lives vicariously through Jean-Louis' escapades with women. Yeah. Romy gets shot by her husband, I believe. That sucks. I'm not an advocate for adultery or anything but it does add to dramatic tension and all that sort of thing. But, really. In real time, why can't people break it off with who they're with and then go on to the next person? Why does it have to be at the same time? It's the thrill of it all, perhaps. The getting away with it; not getting caught; &c. Also, I understand about unhappiness but I don't think that's a good reason to have an affair. Anywho, I did (as usual) enjoy her performance. Even though, she was commiting adultery. It's makes for quite interesting cinema and soap operas, plays, what have you...but in real life, take that sh*t outta here!!! But, I must admit, however...that I do enjoy watching it on the screen. Does that make me a hypocrite? Damn!

Her beauty is so transcendent. Look at her! Look. At. Her. Sheesh! I bought, "Cesar et Rosalie" ("Cesar and Rosalie," directed by Claude Sautet), the same time as, "Le Mouton Enrage." Both from Amazon.com. I also got a Jeanne Moreau film, "La Mariee Etait en Noir" ("The Bride Wore Black," starring Jeanne Moreau and directed by Francois Truffaut). Which is a great, fun film! I received all 3 DVDs while working at OCPAC. I remember how utterly delighted I was by the package I received! This film should really be called, "Cesar et Rosalie ET David!" Seriously! David is a former flame of Rosalie's. Rosalie has a child (from her marriage to David's friend. You see, David ran away to America and left Rosalie behind. Whoops! Ouch), is divorced (I believe), and has a new lover in the middle-aged Cesar. Isabelle Huppert is also in this film playing a relative of Romy's. Sami Frey (who played David) is absolutely dreamy! There is a beautiful flowy dress/blouse that Romy wear's for the wedding scene. It's very simple and I love the back. It's just a slit down the middle and it shows the back. Her face is incredible. You can just read everything on it. Thoughts, emotions just cascade across it. It seems so easy. So effortless for her. One moment that crosses my mind is when they are at the wedding reception and she says to David, "Don't look at me like that." Another one is when she tells Cesar, "Please, don't kill anymore men for me," something like that. Obviously, being very sarcastic because Cesar is a coward and at that point a cad for lying to David about what he's done with and for Rosalie. I even love her in her silence. You always want to know what she is thinking. She's good. She can even act with her back! Seriously. "B'acting." I love those that can act with their backs facing the audience!!! She's good. Period.

I bought, "The Cardinal" (directed by Otto Preminger) at Borders one day during my lunch at OCPAC. I was so excited to see it for the simple fact that Romy would be speaking in English. She spoke English for a split second in, "Cesar et Rosalie," and it was cool to hear her. And "The Trial," is also in English but remember, I didn't know it was her! So, layoff! =) I remember thinking, "Hm...I want to copy her accent one day for a role..." She is a student that falls in love with a man that is on a kind of sabbatical from his religious duties because he is confused as to where he truly wants to be. She totally falls in love with him. She is one of his students and they start to go out with each other. He's struggling with his decision of where he belongs. They plan to meet at a cafe and Romy runs to the cafe's window to peer through it and to see if he's there. He is. He turns to her and she has this great smile on her face, and then you see him in his religious garb!!! Heart. Break. for her. I've got to watch it again because I'm very shaky on what happens at the end. I don't even remember their character names! I know that they definitely do not get together. But, there's trouble and I think she's the one that can help him out of it. I'm not sure. This movie sort of made me upset because she wasn't in it as much as I would have liked. Granted the title is, "The Cardinal," not, "The Woman Forsaken By The Cardinal," right? Right.

*le sigh* Mm. This film, "Les Choses de la Vie" ("The Things of Life," directed by Claude Sautet)...Mm. I remember reading lines from this movie one day in Sam French. When Helene says to Pierre, "You love me because I'm here. But if you had to cross the street, you'd be lost." Man! I remember not wanting to read anymore because I wanted to see it before reading anything else about it. This is another film with great music. Romy sings the theme song, "La Chanson d'Helene," and Michel Piccoli speaks in between her singing. I love the song. It has such a sad, mournful tone to it. The other day I found a google video of Romy and Michel recording the song! Her face in that video! I wish it was clearer. But, still. Her face. Especially at the end! I want to do the break-up scene in Karen's class. I'm thinking about taking her workshop class again just because there are some scenes and monologues I'd like to work on. It would be great to do that scene. I transposed the scene last night after watching the film again. He ends up dying in the end. She isn't there at the time that his ex-wife, Catherine, (or is she still his wife?), father and pal find out. She's on her way to meet him at a hotel and she notices the car that's wrecked on the road is his. She rushes to the hospital. During that time, the nurse gives the valuables that were found during the accident to Catherine: a light blue chiffon scarf, some other trinkets and a letter that he wrote to Helene saying that their break-up is official (Pierre wrote that letter but decided not to mail it because he realized how ridiculous he was being. He calls Helene's place and leaves a message for her to meet him at some hotel to tell her he was being a doof) . Catherine sees Helene running outside and she tears the letter up. What a lady. I remember crying and crying when she did that. Romy finds out from the nurses that Pierre's dead. She leaves in silence. She turns into a zombie pretty much. It's so heavy. It ends with her walking out of the hospital in a haze. Mm-mm-mm. It was a good story. A man re-examining his life. He really deeply thinks about it as he's dying thinking that he is going to survive, and you think that he is going to survive and you hope for it. But he dies and it's too late. Mm. Tell the people you love and care about that you love and care about them. Don't wait. Tell them. Let them know. Take care of each other.

This is a crazy (in a fun way) movie. "What's New, Pussycat?" (directed by Clive Donner). I know I know I know. I can't believe I got it either! Seriously. But how can I not when Romy's in it? I HAD to get it! Plus, it was pretty cheap at Borders. It's no surprise why. It's so silly! But Romy speaks in English in the movie as well! It was just a fun, chaotic film. It was sexually-charged in that "Austin Powers"-silly sort of way. It was fun and Romy was adorable. Plus, the beginning credits of the movie inspired my, "Grey Gardens," painting. The swirls and curls made me think of using those kinds of strokes in a painting. I did and "Grey Gardens," came out.

I didn't actually see this whole film. I've seen only clips from YouTube. I found them the other night. I know that I've searched for Romy clips on there before but never found any until recently. This film was very sweet, gentle and tender. It's called, "Madchen in Uniform" ("Maidens in Uniform," directed by Geza von Radvanyi). Romy plays Manuela von Meinhardis, a young girl that loses both her parents and is sent to a Prussian boarding school. There she falls in love with her teacher, Fraulein Elisabeth von Bernburg, played by Lilli Palmer (who is magnificent and from what I've researched, a very good writer). There is this tender scene in which Bernburg has Manuela practice her part of Romeo with her. She does as her theatre teacher had told her to do and Bernburg says, "No, no! Romeo is a boy in love," something like that. And you see Manuela's face light up and she gets all excited and says the lines as if Bernburg is truly her Juliet and then she kisses her teacher! That totally caught me by surprise. But it wasn't exploitative. I didn't feel violated or grossed out. It was very tender. I think it's a great film. I'd like to see the whole thing. The thing is, Bernburg doesn't love her student back in that way. She's a very caring teacher (also strict and disciplined, wanting her students to do well and grow) but she doesn't love the same way Manuela does (that is unless I missed something not watching the whole film because I've only seen clips. But she even tells Manuela that her love for her is wrong.). Which is the heartbreak with Manuela. She confesses after her performance of ROMEO AND JULIET to all the girls that she loves Bernburg because the punch was spiked and she was downing mugs of the punch! The headmistress comes in and hears her confession. Whoops! Manuela says that she doesn't care if they know that she loves her and that Bernburg loves her as well, even though she has never said it to her. Then, she faints. She gets in trouble. Bernburg is told that she has to leave the school by the headmistress. Manuela tells her teacher that she will die without her and falls to her knees when she goes over to embrace her teacher. She tries to kill herself by jumping off the flight of many stairs of the school. But she is stoppped by the students and her teacher. It's a wonderful scene! She is sent into the infirmary. The headmistress asks Bernburg to stay for Manuela's sake and she shakes her head and says, "Manuela will find her own way. I have to get out of here. I'd only get in her way." It's so touching. It's a good film (from the clips I saw). I believe the reason that she falls in love with her teacher is for the simple fact that she needs more attention and affection, and she has transferred all these feelings to a woman that has given her that attention, or that she wants attention from. I mean...for goodness' sake (!), she just lost BOTH her parents! It's not a stereotypical kind of a film, at all. It is a coming of age story and a sexual awakening one. It's so simple and gentle. Tender. Also, I haven't seen this film in its entirety and maybe this blurb on it is all wrong! HAHAHA! I mean, I say this because there are most likely scenes of significance (of course) that I'm missing. But, I'm writing about what I saw through the clips=) Such a beautiful piece.

So...I suppose to say that I Love Romy Schneider is rather superfluous, eh? I'll say it anyway!

I LOVE ROMY SCHNEIDER!

She is stunning. There should be some kind of movement to get all her films on DVD or SOMETHING! She shouldn't have been taken away from us so early in her life. I wish there was some American or English biographer out there that would write her story. She is yet another of a slew of actresses who had their lives laced with tragedy.

(I'm such a nerd...)

Currently listening to: Taboo (2003 Original Broadway Cast)