Showing posts with label cecilia fannon. Show all posts
Showing posts with label cecilia fannon. Show all posts

Tuesday, March 10, 2009

THE LAST NIGHT OF BALLYHOO (March 27th - April 26th, 2009)

Show: THE LAST NIGHT OF BALLYHOO by Alfred Uhry
Directed by Cecilia Fannon

Where: Newport Theatre Arts Center
2501 Cliff Drive
Newport Beach, CA 92663

When: March 27th - April 26th, 2009
(Fridays, Saturdays & Sundays; then add-on Thursdays after Opening week-end)

Time: 8p on Thursdays, Fridays & Saturdays
2p on Sundays

Tickets: 15$ (unless, it's the Gala, which is 20$)
949 631 0288 (to make reservations, which, I believe, is the wisest thing to do. That is, IF you want to come...)

Parking: FREE! We've got a small lot adjacent to the theater. Also, you are able to park on the street (just not in front of the theater because...well, it's not allowed=P)

Box Office hours: Open the week of Tech and thru the run of the show
Tuesday and Wednesday - 4.30p to 7p
Thursday to Saturday - 4.30p to 7.55p
Sunday - 12.30p to 1.25p

For more 411, visit: Newport Theatre Arts Center

That's all.

xxolovely.

**
I've been receiving many questions about the purchasing of tickets for the show I'm in: THE LAST NIGHT OF BALLYHOO.

I hope that this note will fill those concerns.

Reserve your tickets through the Box Office's number, 949 631 0288.

A message from the Box Office will play that will say they are not open until March 17th. Please, DO NOT listen to that message. That refers to the process of walking up and purchasing tickets at the actual, physical Box Office in Newport Beach, NOT to reserving your tickets on the answering machine.

Leave a message with:
1. your name
2. your phone number
3. the date you would like to attend the show
4. the number of tickets you would like

**DO NOT leave your credit card number/info on their answering machine!!!**

A representative of the Box Office will then give you a ring back and that is where the process of giving your credit card number will occur.

Your tickets will be held in the Box Office at Will-Call.

Please, do not ask me to hold tickets for you. I am not able to because of a couple of past bad experiences the Box Office has had with actors saving tickets for family/friends that never showed up. So that option is out. Sorry, folks.

EVENT PAGE: facebook

REVIEWS:
from - The Daily Pilot

Monday, October 22, 2007

Gig-Time with red shoes on a thuuursday

Hey, hey, hey All!!!

This is the first inaugural theatrical event in the Norma Kershaw Auditorium housed in the Bowers Museum in Santa Ana, Ca.

I'm part of it so Come, Watch and Support the Arts!

Thursday, August 30, 2007

Cecilia Fannon

So, I've bee inspired to take out a journal entry of mine that I wrote about Cecilia last year.

Sunday, 6 August 2006

"I thought I'd be a dancer. But I'm not that good at it. Truly one of the great things to happen to American theater is that I never danced on stage." ~Cecilia Fannon

I wish I had a picture of Cecilia to share. She is a playwright and from what I've heard and researched, a mighty damn good one! She is a small woman; small-boned. If you look at her, she seems very fragile and meek. What makes her a powerhouse, to me, is her quick mind and dry wit, her intelligence and humor. The woman just knows what she's talking about. I'm so intrigued by people's minds. I sometimes feel so inadequate because I feels sometimes my mind is not up to par or whatever. Okay, enough of that! On to Cecilia...I also love when she laughs because it's so contagious! When something absolutely kills her, she turns very red! Cecilia is another woman that I know that is soft-spoken with a great laugh. She prefers to devote her time listening to her students' work rather than following along with the script and being the narrator for the stage directions. She takes careful notes. She knows the questions to ask. At the reading, yesterday morning, she was wearing a soft yellow, cable-knit short-sleeve sweater with (I think) khaki pants. I don't remember the pants. I remember her blouse, though. Because it set off her light red/orange hair. I think the frames of her small glasses also had red in them.

At one point, during the reading, I looked over at her and thought, "I need to paint her something." I already know the colors I'm going to use.

I first met Cecilia earlier this year. I got a ring on my cell from some number I was not familiar with, at all. And it was her asking me if I was available and interested to read a play from a student of hers at SCR. HELLO! Of course! I was ecstatic! I had given her my headshot last year around March because she wanted any of Karen's students that were interested in participating in readings for her playwrighting classes. I never got a response back until that ring on my cell. She said that she was sorry that it took her a year to get back to me. I told her that it was better late than never! HELLO! Seriously. She wanted me to read for her Advanced Playwrighting class, a play by Michael Buss titled, THE TRIALS AND TRIBULATIONS OF SANJAY GUPTA. I would be playing Sanjay's 17 year old daughter, Millie. A pretty girl. Ha! Cecilia also said that she really liked my headshot. Which totally took me by surprise. "I really do like your headshot. And I'm VERY picky about headshots. Yours is a good one." And that was that. That began my association with Cecilia.

The reading was pure joy. We all had so much fun up there with each other. Michael said that he wanted us to get up and move around and be free. We didn't have to stay in our seats. We took total advantage of that direction and we all flew!

I was also involved in another reading for her student, Scott Samson. I was a last minute replacement. Karen was in charge of finding a person to fill in that day since Cecilia was in NY at the time.

The play was titled, REALLY USEFUL PEOPLE. And I played about 5 characters in that piece; ranging from a Louisiana torch singer to Liz Taylor in, "Suddenly, Last Summer," from a black Starbucks employee to a newscaster. Seriously. It was great! Though, I got my script a few minutes before the reading and did not have time to go over it. I went into the bathroom with the script and started to thumb threw it. Karen had highlighted all the parts I was to play. So, I came upon a couple of sections that were italicized. Yeah. Yyyeah. I had to ... wait for it ... SING! Yes. I had to SANG!!! What?!!! I was crazy! Karen came in at that moment and I said to her, "Karen...I have to sing..."

"Yeah."

"Karen. You've never heard me sing."

"You'll be great."

And she rushed out of the bathroom! Mm. Mm. Mm. No, she didn't. Yes, she did. She SURE did. I mean, I had NO time to be nervous. Man! I had to sing, "Stormy Weather," and two other songs. One of the other songs went like this: "This will be/An everlasting love..." Makes me think of Natasha Richardson in THE PARENT TRAP because that song was part of their soundtrack. Anywho...I just went for it. On EVERYTHING. I had fun. I was free. It was great! Wonderful time!!!

After both readings, Cecilia had emailed me, thanking me for participating. Please. She doesn't have to thank me. I'm so grateful that she thinks of me every now and then and wants me to be involved. I want her to use me! She was sad that she wasn't able to be there for the second reading. But, I believe, she had a funeral to go to. She's a New Yorker. And she wrote to me, "No doubt you were wonderful..." I mean...stuff like that makes me feel good because it's from people that know my work first. She is someone that I do respect. I remember Karen coming up to me the last day of class, I believe, and told me that Cecilia asked her, "So, what's this Lovelle like?" And Karen told her that I was reliable and a good actress. "We need to get you out there. Let's get you started." I absolutely love that woman. She's really good for me that Karen Hensel.

Yesterday, I was involved in a reading of scenes for her students. All us actors, had to run by the time the last scene was read. I felt bad for jetting but I had to go. It was past 2 and we were supposed to be out at around 1 or so. So, obviously, it was "or so"!!! I didn't want to leave without saying, "Bye" and "Thank you," to Cecilia. So, I did. I gave her a hug we chatted and she walked me out. She mentioned my headshot again and said, "I love your headshot. I really do. There's such joy in it. And you look chubby." I laughed at that and she said, "And OBviously, you're NOT chubby!" She told me to keep her updated with what I'm doing. She said that she thinks I'm an eloquent actress. "You're wonderful at cold reading. You do such a good job. You really are good." Wow.

[Her] class is so full of talent. It's a bit overwhelming. They're all so fun and creative and intelligent folk. I love it. I love to surround myself with people that really care about the craft and always want to learn and are open to criticism and improvement. It's important for artists. Plus, I'm in my element. It makes all the difference.

There's this deep well to Cecilia. She's full of depth. I don't know. How can she not be? It's in her eyes. Makes me want to get to know her. Same thing with Karen.

I have to keep going. I can't stop. I have to keep faithing in myself.

I need an audition. LIFE IS A DREAM
(this was the production I was involved with last summer not the South Coast Rep one) will be coming to a close and I'll be jobless, acting-wise.

Er...I'm jobless both ways!


http://www.citybeat.com/archives/1998/issue506/onstagearticle1.html
http://www.cincypost.com/living/1999/redcor011499.html

So...I just saw her a couple of hours ago at the play reading. For the first act she read the stage directions and the second act she played a character named, Mrs Morgan. She was Good. I was rolling on the floor! The play is titled NUDE AND SUNFLOWER by Reba Thomas. I played, Clara, a dancer. A dancer working in a cabaret who has a German accent and sings! *whew* It was loads of fun. I am still so in awe with Cecilia's students.

During our break, she came up to me and we started to talk about the Bowers Museum gig. I'm Very Excited! I swear, I'm totally enamored with her. Oh! She told me not to chop off my hair. I told her that I had wanted to get it cut like Mia Farrow in Rosemary's Baby. "No! Cut it after the show if you're gonna cut it." But, really, I can't cut it because of my new headshots. I don't wanna get new ones just because I hate my hair and wanna chop it all off! Ha! I told her that I was re-learning French and she went off with that one! She told me that she speaks Italian and that she got that Rosetta Stone program for French. She loves it. She made it sound like it was a program that hypnotizes you, puts you in a trance. And she said, "It's like they're brainwashing you! I love it." Then, with her eyes wide-open, "You begin to think in French! So, you don't really have to 'translate.' It's wonderful!" God! She's makes me smile.

You know...she reminds me of Deborah Kerr in From Here to Eternity.

http://www.ocregister.com/ocregister/news/homepage/article_1259298.php
(There are 2 photos of her in this article)

Press Release for THINGS THAT GO BUMP IN THE NIGHT

(This is the project that I'm involved with through Cecilia Fannon, in which I will play a long-lost mummy and a Haitian Voodoo Woman! Come watch!!!)

October 26, 2007

Bowers Museum Presents “Things that Go Bump in the Night,” Scary stories

Bowers Museum Presents “Things that Go Bump in the Night” Halloween Special that Premieres on Oct. 26 with Encore on Oct. 27 Scary stories come to life in 1930s-style radio play format

“Things that Go Bump in the Night,” a Halloween special event featuring ghost and mummy stories set in a 1930s-style radio play format, premieres at the Bowers Museum’s Norma Kershaw Auditorium on Friday, Oct. 26 at 8 p.m. with an encore performance on Saturday, Oct. 27 at 2 p.m. Admission is $22 for adults; $20 for children, seniors over 62 and students; and $18 for Bowers members. This performance is not recommended for small children.
Commissioned by Bowers Museum, Cecilia Fannon, playwright, screenwriter, and director, has adapted three classic horror tales for the stage. Edgar Allan Poe’s iconic “The Tell-Tale Heart” is a story of horror and paranoia about an old man with a clouded eye who terrifies his caretaker to a murderous degree. “The Monkey’s Paw” by W. W. Jacobs tells the tale of a collector of oddments who comes upon an irresistible talisman that brings unexpected wealth and other less pleasant consequences. In “The Ring of Thoth,” by Arthur Conan Doyle, an insignificant museum worker fulfills a life’s dream by traveling to Egypt to make a stupendous archeological discovery – a long-lost mummy.

Fannon has had plays produced at regional theaters across the country, South Coast Repertory, on National Public Radio and abroad. She is winner of the prestigious Lois and Richard Rosenthal award for playwriting. She holds an M.F.A. in film from UCLA and has won the George Burns and Gracie Allen award for comedy screenwriting and the coveted Samuel Goldwyn Award. Fannon has written for film and television, including the Emmy award-winning “Where on Earth is Carmen Sandiego?” The Guiding Light, and several works for Leonard Nimoy’s production company, Alien Voices. This year, she directed Michele Lowe’s play, “String of Pearls” for Panndora Productions and her own short film, “Red Hot & Bothered.”

“There is a novelty in creating “Bump” for Bowers because theaters tend to perform Christmas plays, not Halloween shows,” says Fannon. “Halloween is a $5-billion dollar industry, getting more popular each year – and that figure doesn’t include horror movies.” “‘Bump’ is an opportunity for adults to step into the past and relive the stories from their youth and for some to remember the hang-on-every-word days of radio drama. It’s for teens and young adults who can temporarily leave the special effects of the movies behind and discover the power and suspense of live theater,” Fannon says.

Seven actors with scripts in hand will perform in front of microphones. An onstage Foley artist will create the sound effects for the audience to “see.”

According to Bowers Museum Director of Education Linda Kahn, who brings a myriad of lectures, films and performances to the museum throughout the year, “I caught the performance of Cecilia's 'Halloween Special' with Leonard Nimoy on television several years ago. What a remarkable, creative endeavor. It was a perfect combination of terrific actors, tantalizing suspense with spectacular sound effects (thanks to the Foley artists!), and brilliant writing. Some years later a colleague at the museum introduced me to Cecilia. When the opportunity arose to collaborate, I approached her with the idea of doing something unique for the Bowers. Her ideas, ingenuity, and scope of experience were a perfect match. 'Bump in the Night' is the result. I've no doubt: they will be a marvelous couple of performances!”

The actors who will appear in this production include Michael Csoppenszky, Ree Johnson, Lovelle Liquigan, Cameron Markham, Pete Taylor, Rebecca Taylor and George J. Woods. Cast is subject to change.

Bowers Museum is open 10 a.m. to 4 p.m., Tuesday through Sunday and 10 a.m. to 8 p.m. every fourth Thursday. Exhibitions featured include “GEMS! Colors of Light and Stone,” and “Mummies: Death and the Afterlife in Ancient Egypt…Treasures from The British Museum.” Bowers offers shopping at its two unique gallery stores and a world-class dining experience at Tangata Restaurant of the Patina Group. The museum also features an array of films, lectures, festivals, art, music programs and events throughout the year.

Biographies

Cecilia Fannon has had plays produced at regional theaters across the country, South Coast Repertory, on National Public Radio and abroad. She is winner of the prestigious Lois and Richard Rosenthal award for playwriting. She holds an M.F.A. in film from UCLA and has won the George Burns and Gracie Allen award for comedy screenwriting and the coveted Samuel Goldwyn Award. She has written, directed and produced a short film, “Red Hot & Bothered.” Fannon has written for television, including the Emmy award-winning “Where on Earth is Carmen Sandiego?” “The Guiding Light,” Spock vs. Q,” and “Armageddon,” “The Cask of Amontillado,” “The Canterveille Ghost,” and “The Mark of the Beast” for Leonard Nimoy’s production company, Alien Voices. This year, she directed Michele Lowe’s play, “String of Pearls” for Panndora Productions.

Michael Csoppenszky trained at the American Conservatory Theatre in San Francisco and South Coast Repertory’s Professional Conservatory. Theater credits include Bonifacio (lead) in Cecilia Fannon’s “Time is a Gentleman.” He also appeared in “The Case of the Crushed Petunias” and “Days and Nights of BeeBee Fenstermaker.” Film credits include “Gang of Roses,” Contraption,” and “The Akin.” Csoppenszky wrote and performed with the sketch comedy group “Fries on the Side” in Los Angeles. He fronts the rock group “the Bumbaclad Wicked” and writes/produces all of the music that can be heard nationally on Radio Wazee and Last.FM.

Ree Johnson began his career as a professional singer in Las Vegas and California, opening for greats such as Diahann Carroll. Johnson’s theater credits include “It’s a Wonderful Life,” “I’m Not Rappaport,” “Lov’in Al,” “Raisin in the Sun,” “Big,” “Little Shop of Horrors,” “Requiem for a Heavyweight,” “Of Mice and Men,” “Jesus Christ Superstar,” and “Guys and Dolls.” He also appeared as Frank in “Working,” for which he won a Drama-Logue award, and Jim in “Big River” at the Laguna Playhouse.

Lovelle Liquigan recently finished a short film for Chapman University titled “Bird Got to Fly,” and a run of “Life is a Dream” at South Coast Repertory as part of the ensemble. She was involved in the inaugural season of the Capistrano Shakespeare Festival playing in two of their four productions: Rosalind in “As You Like it” and Princess Estrella in “Life is a Dream.” She was chosen to be in The Kirov Ballet’s production of “Romeo and Juliet” as a maid and a mourner. Some theater credits include Henriette in “The Learned Ladies” (KC/ACTF Irene Ryan nominee), Nena in “The Conduct of Life,” Cordelia and the fool in “King Lear,” Fabian in “Twelfth Night,” and leading roles in Cecilia Fannon’s advanced playwrighting workshop at SCR. Next up for Liquigan is a short film in which she will play a young woman who struggles with the decision she has made about leaving her child at the door of a church. Liquigan has also finished a book of poetry and a cycle of 11 poems, and continues to explore through her painting.

Cameron Markham With over 30 theatre credits to date, Markham has been acting all of his life. Originally from New Mexico, and traveling to New York to study stage, he now lives in Hollywood and has been spending most of his time training at the world famous improvisational troupe, The Groundlings. Some of Markham’s recent television credits include “Talk Show” with Spike Feresten on FOX, “Joey” on NBC, and a starring role in Moby’s most recent video “Spiders,” which reached #2 on Top of The Pops. Markham can also be seen in many National Commercials such as Geico, Sony, and McDonalds. He feels privileged to have been able to come into contact with Cecilia Fannon and many other theater artists while at South Coast Repertory, and feels honored to be a part of this production. Markham is a member of The Screen Actors Guild.

Pete Taylor’s acting credits include leading roles in “K2,” “Our Town,” “Murder at the Howard Johnson,” “Twelve Angry Men,” “Love Letters,” and “It’s a Wonderful Life.” He is also literally hundreds of voices in various video games. His many directing credits include “You’re a Good Man, Charlie Brown,” “Arsenic and Old Lace,” “Call Me Back,” the critically acclaimed “the Belle of Amherst,” Panndora Productions hits “I’m Not Rappaport” and the world premiere of Cecilia Fannon’s “Time is a Gentleman.”

Rebecca Taylor expresses her passion for the theater through acting, writing, directing, and set design. She was a resident member of Backstage Theatre & Company ensemble. Taylor has appeared in “Miss Reardon Drinks a Little,” “The Haunting,” “Veronica’s Room,” “Love Letters,” and as Emily Dickinson in “the Belle of Amherst.” For Panndora Productions, she’s appeared in “Tennessee’s Women,” the American premiere of “Thirteen Hands,” “It’s a Wonderful Life,” and “String of Pearls.”

George J. Woods recently appeared in “Meet Me in St. Louis” at the Gallimaufry Theater. He originated the role of Angelo in Panndora Productions’ “Time is a Gentleman” at the Little Fish Theater. At Laguna Playhouse, he appeared in “The Underpants,” “Picasso at the Lapin Agile,” “Painting Churches,” “A Midsummer Night’s Dream,” “Beyond Reasonable Doubt,” “Noises Off,” “Crucifer of Blood,” “First Monday in October,” and “Dracula.” Woods won a Drama-Logue award as Nat Miller in “Ah, Wilderness.” Other appearances include “Bed and Breakfast” at the Key West Theatre Festival, and “Travels with Charley” at the Western Stage Company. At South Coast Repertory, he appeared in “Galileo,” “Merchant of Venice,” “The Showoff,” and Henry IV, Part I. Woods’ television credits include “The Golden Girls,” “General Hospital,” “Santa Barbara,” “The Invisible Man,” and the feature film “Cataclysm.”

http://www.bowers.org/about_us/about_press.asp?PRID=447

Look on page 5 (October 26 & 27): http://www.bowers.org/passport/pdfs/passport.pdf

Wow! I can't believe I actually have a bio out there in public somewhere! It's nice to feel that you're movin' on up=)