Showing posts with label theatre. Show all posts
Showing posts with label theatre. Show all posts

Monday, September 14, 2009

JULIUS CAESAR (SEPT 11th - SEPT 27th)


SHOW:
JULIUS CAESAR
Directed by Erwin Tuazon
*I play the role of Cassius

WHERE:
The Powerhouse Theatre
3116 2nd St
Santa Monica, CA 90405
*between Marine & Rose - closer to Marine
powerhouse theatre

WHEN:
SEPT 11th - SEPT 27th
*Fridays & Saturdays @ 8p
*Sundays @ 7.30p

TICKETS:
15$ online - click--->CAESAR tickets
20$ at the door (CASH ONLY)

PARKING:
It's HOR-RID!!!
Please, Please, PLEASE allow extra time for parking. It WILL be a nightmare. And, if you let that stop you from coming to see me...well, i just don't know...
*There is street parking available along the neighborhood streets - read the signs!
*There is also a parking structure and parking lot that cost 5$ to park in.

EVENT PAGE:
facebook

Tuesday, June 2, 2009

AS YOU LIKE IT (May 23, 2009 - June 20, 2009)

ONLY PLAYS SATURDAY EVENINGS @ 8p


SHOW:
AS YOU LIKE IT
*I play the role of Celia

WHERE:
The Next Stage Theatre (a hole in the wall "intimate" theatre space)
1523 N La Brea Av, 2nd Floor
Los Angeles, CA 90028
*Next Stage is located between W Sunset Bl & Hawthorn Av

WHEN:
Saturdays (ONLY) @ 8p
May 23rd
May 30th
June 6th
June 13th
June 20th

TICKETS:
15$ (CASH ONLY; you will pay at the door)

RESERVATIONS (should be made by calling or emailing):
213 926 2726
declanadamstheatre@yahoo.com

PARKING (special note):
It's HOR-RID!!!
Please, Please, PLEASE allow extra time for parking. It WILL be a nightmare. And, if you let that stop you from coming to see me...well, i just don't know...
--Hawthorne Av has lots of street parking (read the signs); there are lots of apartment complexes in which you may find parking, for FREE!!!
--Also, the lot in which the theatre is located turns into a valet parking area after 7 or something.

LOCATION OF THEATRE (special note):
WELL...it's located in an area where you wouldn't think there'd be a theatre! I believe there is a description of it in the first review from, playing shakespeare (*found below).

EVENT PAGE: facebook

*REVIEWS:
from - Playing Shakespeare
from - The Tolucan Times
from - Melpomene Blogs Back (some gal that watches much of LA theatre from broadway tours to little hole-in-the-wall productions)
from - Stage Happenings

Tuesday, March 10, 2009

THE LAST NIGHT OF BALLYHOO (March 27th - April 26th, 2009)

Show: THE LAST NIGHT OF BALLYHOO by Alfred Uhry
Directed by Cecilia Fannon

Where: Newport Theatre Arts Center
2501 Cliff Drive
Newport Beach, CA 92663

When: March 27th - April 26th, 2009
(Fridays, Saturdays & Sundays; then add-on Thursdays after Opening week-end)

Time: 8p on Thursdays, Fridays & Saturdays
2p on Sundays

Tickets: 15$ (unless, it's the Gala, which is 20$)
949 631 0288 (to make reservations, which, I believe, is the wisest thing to do. That is, IF you want to come...)

Parking: FREE! We've got a small lot adjacent to the theater. Also, you are able to park on the street (just not in front of the theater because...well, it's not allowed=P)

Box Office hours: Open the week of Tech and thru the run of the show
Tuesday and Wednesday - 4.30p to 7p
Thursday to Saturday - 4.30p to 7.55p
Sunday - 12.30p to 1.25p

For more 411, visit: Newport Theatre Arts Center

That's all.

xxolovely.

**
I've been receiving many questions about the purchasing of tickets for the show I'm in: THE LAST NIGHT OF BALLYHOO.

I hope that this note will fill those concerns.

Reserve your tickets through the Box Office's number, 949 631 0288.

A message from the Box Office will play that will say they are not open until March 17th. Please, DO NOT listen to that message. That refers to the process of walking up and purchasing tickets at the actual, physical Box Office in Newport Beach, NOT to reserving your tickets on the answering machine.

Leave a message with:
1. your name
2. your phone number
3. the date you would like to attend the show
4. the number of tickets you would like

**DO NOT leave your credit card number/info on their answering machine!!!**

A representative of the Box Office will then give you a ring back and that is where the process of giving your credit card number will occur.

Your tickets will be held in the Box Office at Will-Call.

Please, do not ask me to hold tickets for you. I am not able to because of a couple of past bad experiences the Box Office has had with actors saving tickets for family/friends that never showed up. So that option is out. Sorry, folks.

EVENT PAGE: facebook

REVIEWS:
from - The Daily Pilot

Sunday, November 16, 2008

Mark Your Calendars! (or not...)

I'll be performing on Saturday, November 22nd @ 1p. Reading the roles of Nora and Odile in Evan Guilford-Blake's AN UNCOMMON LANGUAGE, directed by David Gold
And, I'll also be performing on Sunday, November 23rd @ 1p. Reading the role of Melissa in Michael E Wolfson's CAT AND MOUSE, directed by Karen Wray

I'll be performing the opening week-end:
Friday, December 5th @ 8p
Saturday, December 6th @ 4p & 8p
Sunday, December 7th @ 4p

COME! COME!! COME!!!

www.panndoraproductions.com/index.html

red shoes

Wednesday, October 1, 2008

Friends in the Theatre

If you are in the Southern parts of Cali, watch my friends: Anna-Kate and Larry, in their respective shows: MAME and BAT BOY.

Anna-Kate is playing Gooch in MAME at the Long Beach Playhouse. http://www.lbph.com/Mainset.htm

Larry is playing various characters, including a surprising character (which he told me because he thought I would be in NY and wouldn't get the chance to catch him in the show... Oh! How plans change...) in BAT BOY at the Warner Grand Theatre. http://www.therelevantstage.com/

And...if you are in NY, I found out yesterday morn that my friend, Daniel, will be in the musical SHREK. Can you say, "Donkey"? =) http://www.shrekthemusical.com/index.html

Yes. I have no shame in plugging my friends, my happiness for them, and showing them off. Get yourself to the theatre and have some fun. Not only are they extremely talented, but they are supreme human beings.

red shoes

Wednesday, August 13, 2008

Quoting Stella Adler, Not Seen (AGAIN), Opportunity at the Last Moment, and a Roof Over My Head?

"It takes three things to make it in this business: the tenacity of a bulldog, the hide of a rhinoceros, and a good home to come home to."
~Stella Adler

She was right.

I went to an audition for the New York Theatre Workshop. Ready to go. Again, there were many of us (of course!), and EMCs and Non-Eqs were not seen. I was somewhat ecstatic when the announcement was made. Not because I didn't have to audition, but because I didn't have to play the waiting game! Waiting in vain. WELL. It was disappointing but like the last EPA, I left my headshot and resume at the front desk. I was 8th on the EMC list. But, the Equity alternate list (by the time I put on my hide of a rhino over my face) was up to 40. Yikes. I am a lucky-unlucky gal.

I really hope these experiences don't turn me into a sado-masochistic, repressed hermit. In which I will dwell (somehwere hopefully with a roof and four walls) in a place where I will let the vines grow, the dirt accumulate, cats gathering (and I don't even like cats because I'm allergic to them. And I'm afraid of them), blah-blah a la "Grey Gardens" or Kim Stanley's dwellings towards the end of her life. I'll end up writing gads of poetry (which I'm known to do in my bouts of inspiration), never sleeping because I'll just want to paint (which I used to do back in 2005-2006, until it got too much, I dried out and went to sleep, and hoped that I would like my work in the morning) all night, dance in a sheer nightgown at 3 in the morn with nothing under, sing every song I know, and shout Shakespeare out to the sea (hopefully, I'll live by the sea. Otherwise, where will I shout Shakespeare?). I'll be gloom and doom, offereing acting classes in my backyard to which I will wear a big hat and Jackie Os, and be named one of the most intriguing people who are unknown. Oh! And in between all that, find time to frolic in the rain and laugh. HA! I think I should stop. I'm having too much fun with this. Spooky...

Alright.

Last night. At about 5.45 my phone rang with a 212-area code. I had this feeling(can't describe, it was a feeling). I wasn't going to answer it but the thought that kept scrolling in my mind's eye was: The Pearl Theatre Company. I didn't want to answer it. I did anyway (there goes doing something I fear for that day=P). Sure enough, it was the assistant to the Artistic Director of The Pearl. At first, it sounded like she was calling to tell me that I was rejected (which would have been appreciated because at least you KNOW) but something inside told me that she was going to make me an offer. She did. They offered me understudy roles in OEDIPUS. I told her that I would love to. She was happy to hear that and then went into the fine print of this deal to which my heart kind of beat in slow motion, and I started to get all self-doubty and questioning myself. She told me that she would email the offer and give me more details, that she wanted me to think about it and call her with my answer the next day (which is today).

In the email, she told me that they also want to offer me an understudy role in NATHAN THE WISE, but that they didn't need an answer straightaway because it was too soo and they want to give me a chance to see if I like and want to be involved further with the company.

I rang up my Ma. Towards the end of our conversation tears were streaming down my face. I rang my Dad and the same thing happened. What's my problem? Well, it's not just one problem. Right now, the major problems (shall I re-phrase that to questions?) are two-fold: Where will I live?; and: I have no money to get a place of my own or even share a place. Mm...the actor's life for me.

I started talking very in-depth with my parents about it as I have never before with them. I believe that's where the tears came from because something is actually happening, this is like skipping 3-steps climbing up the staircase. Whereas, these auditions and callbacks, and rejections and getting cast (having to turn-down) are all moving me forward, step-by-step. Hopefully. Anywaa...then I said, "Isn't this what I came here for?"

Which is true, right? This isn't necessarily the way I had envisioned it but if I end up saying, "No," to this I KNOW I will regret it. But, I believe that God doesn't always send you questions and answers with a familiar face to them. Especially these "answers" that we ask for. We sometimes miss the recognition. Also, Rilke said that we've got to live in the questions and if we are fortunate enough, through that we'll hopefully live in the answer.

Alright.
Enough of that.

I've got an opportunity that any one in my position would want to snatch. And, if you noticed what I wrote, I did. I told her that, "I'd love to." It's just that when my cogs started to turn in this wrinkly mind of mine, I got all weird. And question-y.

My answer, of course, is, "Yes." I will be ringing her in a couple of minutes. I've got to figure out what questions I want and need to ask about this understudy-thing.

It's the classics. This is what I want to do. This is what the Pearl does. The classics. This is what I came here to do. I may not necessarily be on the stage but I'm involved and I'm being given an opportunity that I'd be a damn fool not to take.

Isn't this funny. Ironic? Of course, when I'll be leaving to come back home to California this happens. I will admit to you, however, I thought so. I thought and imagined that it would happen like this. THOUGH, I did have grander illusions. You know, like Broadway. A lead role. A featured role. You know...just that.

So...to any of my friends (I don't really have any in NY but I'll ask anyway), if you have a couch that I can sleep on for the autumn season let me know. I need a roof over my head, four walls, and a good blanket to keep me warm.

Here's a link to The Pearl: http://www.pearltheatre.org/

Currently reading: Changing by Liv Ullmann

Monday, August 11, 2008

Kim Stanley

Exactly 2 years ago today, I wrote an entry about this actress I knew nothing of. Two weeks ago (tomorrow) a co-worker of mine bought me her biography that I've wanted since the title intriguing me at Borders 2 years ago. I'm almost halfway finished. I started it last Friday. I have my issues with the book. But, I won't get into it. Nothing to do with Kim, but more the content that has Nothing to do with Kim that unnerves me.

Anywaa...here is what I wrote in 2006:

LOOK at that face...

That's right folks...don't mess with her!

I am a woman OBSESSED right now. My obsession lies in finding out as much as I can on the actress Kim Stanley. I did not know who this woman was at all (I don't think). Until, I went to the Drama section at the Borders in the Cerritos Town Center a couple of weeks ago. There was a hardback book with a title that intrigued me, FEMALE BRANDO: The Legend of Kim Stanley. Now, I was confusing this actress with Kim Hunter (the one who played Stella opposite Brando in A STREETCAR NAMED DESIRE). I kept thinking of Hunter but when I looked at the pictures, they didn't look like her. At all. OBVIOUSLY! HELLO! I'm such an idiot! But, while I was looking through the book and the pictures...I could not think of Hunter's last name. Until, today when I was researching on Stanley. Sheesh!!! Man! I'm gonna have to go and buy the biography. There are a couple of films that I want to buy as well: SEANCE ON A WET AFTERNOON, THE GODDESS, THE THREE SISTERS, FRANCES, &c.

What got me thinking about Kim Stanley, again, after all these weeks was John Garfield. I was flipping channels (as usual) and came upon TCM. They were doing a special on John Garfield and it was at the point where he had to testify during the McCarthy trials and he put himself through a professional suicide. Then it went on to him performing in GOLDEN BOY (which, I believe, Clifford Odets wrote for him) and they showed a clip of him performing it in 1950 (?) on CBS (?) alongside Kim Stanley. And, now, here I am beginning my journey on trying to learn as much as I can on this actress that I know nothing about except that she was a great actress. A great, great actress. A method actress that took the method too seriously, perhaps. Her life is laced with tragedy. She had numerous affairs, 4 failed marriage, some children (3, I believe). She was an alcoholic. There's so much. I'm gonna have to get that book. I want to get the biography! Her film credits are few. Too few. She's had many, many appearances on television, doing live drama. Live. Not taped. She much preferred the theatre. That was her home. Definitely.

Kim Stanley seems very fierce to me. Meticulous and tenacious. Ferocious. Rawrrr.

I wrote a bit more in the entry about my difficulty getting into the skin of the part I was playing at that time, Princess Estrella in LIFE IS A DREAM. I wasn't filming any comfort in her skin, at all. It was a strange discomfort of nothing fitting and it was driving me crazy. I was researching Kim with no end believing that she would help me with Estrella, in some mystical way as it can happen only in the theatre to an actress that is stuck.



Currently reading: FEMALE BRANDO: The Legend of Kim Stanley by Jon Krampner

Saturday, June 21, 2008

AUGUST: OSAGE COUNTY to Play London's National in Fall 2008

from: http://www.playbill.com

By Mark Shenton
June 20, 2008

It has been confirmed that the National Theatre will present the London debut of this year's Tony Award-winning Best Play, Tracy Letts' August: Osage County.

The Steppenwolf Theatre Company production will begin an eight-week run in the Lyttelton Theatre in late November (with precise dates still to be confirmed). Most of the original Broadway cast will likely reprise their performances in London.

Steppenwolf previously appeared at the National Theatre in 1989, when they transferred their stage adaptation of John Steinbeck's The Grapes of Wrath from Chicago to London, ahead of a Broadway run the year after.

Playwright Letts won the Pulitzer Prize for Drama for the three-and-a-half-hour dark ensemble comedy-drama about three generations of an Oklahoma clan. The Broadway production also picked up five 2008 Tony Awards, including one for Best Play.

Directed by Anna D. Shapiro, August: Osage County "tells the explosively funny tale of the Weston clan, triggered by the recent disappearance of the family patriarch."

The designers are Todd Rosenthal (sets), Ana Kuzmanic (costumes), Ann G. Wrightson (lights), Richard Woodbury (sound) and David Singer (original music).

In New York August plays the Music Box Theatre.

Currently reading: Anecdotes of Destiny and Ehrengard by Isak Dinesen